Sarah, who lives in Maine, has a particular interest in telling stories inspired by history and real events. Her play, Apartment 3F, was selected for Centenary Stage Company’s Women Playwrights Series and finalist in the Susan Glaspell play competition. Sustain Me, a two-person comedy probing the broken promises of kale and yoga, was performed at the Ground and Field Festival in Davis, California. With a background that includes work for The Washington Post, Sarah brings a journalist’s curiosity and a dramatist’s heart to the stage.
Sarah’s new play, Walt Whitman’s American Dream, is a powerful 90-minute ensemble play following the life of the man who believed his words might hold America together — and who discovered that saving a nation requires far more than ink and paper. From the website, “As this new production embarks on a series of performances across the country, audiences are invited into an urgent, timely conversation: Have we lost our way on the American road of hope — and can we find it again?”
Can you point to one event that triggered your interest in your career?
I know my interest in theatre flourished when I began acting classes at a little studio in Austin, Texas. I was in sixth grade. The woman who ran the studio—Dede Clark- had created the most wonderful place for kids of different ages to really be creative. I was a bit intimidated the older students and doing improv, but I loved every moment in that studio. My career has taken several turns, and I am a playwright now, not a performer, but it all began with that experience.
What about this career choice did you find most appealing?
I love using my imagination. And I love creating worlds and different characters. Maybe the most interesting thing about it to me—and the most challenging—is that I’m building something from an idea that then takes shape and hopefully comes to life.
What steps did you take to begin your education or training?
As I mentioned, I began much of my training at a young age and continued that in college and graduate school.
Along the way, were people encouraging or discouraging?
My parents were very encouraging. I found some mentors who were, as well. And some editors and colleagues. But rejection and critique is part of the field.
Did you ever doubt your decision and attempt a career change?
I have had several career changes. But somehow, I keep coming back to theatre and writing.
When did your career reach a tipping point?
Just before the pandemic, in some ways. But this is a road that keeps on going.
Can you describe a challenge you had to overcome?
The biggest challenge as a writer has always been time. As the primary caregiver to my two children and working from home, my time was often the most precious and limited thing I had working for or against me. And it’s not just having the hours in the day, it’s the mental space and ability to get into a flow. I’m not sure I overcame that challenge as much as wrestled with it. My kids are older now. There are other distractions. But none like the ones when they were little.
What single skill has proven to be most useful?
It might be a trait more than a skill: I am an extremely hard worker.
What accomplishment are you most proud of?
The accomplishment I am most proud of is being able to work and collaborate with others I respect and admire. To be a good human being and collaborator in this profession—and work with old friends who bring so much talent to the process—is something I am proud of.
Any advice for others entering your profession?
Keep writing. You never need anyone’s permission to write.
For more information go to Sarah’s website.
Website for Walt Whitman’s American Dream
Photo Credit: Kelly Roy Photography
