Playing Around

In writer-director-choreographer Kate Mueth’s The She-Wolves, Sycorax, the unseen sorceress whom Prospero overthrew when he landed on her [...]

Visually “…based on Tales from the Crypt, Dante’s Inferno, and old Silly Symphonies cartoons,” Dead As a Dodo is a marvelously [...]

Puccini’s La bohème in the beloved Zeffirelli production returned to an almost full house on January 11, and it was encouraging for [...]

There are a multitude of differences between the latest iteration of this iconic 1959 musical and its predecessors. Some work, others [...]

A  Connecticut, Norman Rockwellish farmhouse (enviable and move-in ready as designed by the excellent John Lee Beatty) is decorated [...]

Few musical moments are more evocative in opera than the opening of Aida‘s Third Act. The delicate music paints the swaying of the [...]

“Is anyone out there? This is Egon Tichy. Does anyone copy, over?” Egon Tichy is making a solitary voyage somewhere near the star, [...]

Bashevis’s Demons is performed in Yiddish. Supertitles are clear and timely on projections above the stage. Like the Yiddish Fiddler on [...]