Podcasts

Woman Around Town’s Editor Charlene Giannetti and writers for the website talk with the women and men making news in New York, Washington, D.C., and other cities around the world. Thanks to Ian Herman for his wonderful piano introduction.

Rachel McAdams

Five Films About the Newspaper Industry

12/09/2017

With the upcoming released biopic, The Post, starring Tom Hanks and Meryl Streep already garnering Oscar buzz, it seems like a good time to consider other times movies have brought the news industry into the spotlight. At a time when the future of newspapers and journalism seems so uncertain the following films are especially relevant.

All The President’s Men (1976) This classic political thriller tells the now legendary story of how Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) investigation and reporting of an a minor break-in at the Watergate led to a tangled web that brought down the Nixon presidency. (It also ensured that all future scandals would have the title ‘gate’ attached to their name.) Directed by Alan Pakula (Klute, The Parallax View) and with a screenplay by William Goldman (Butch Cassidy and the Sundance Kid, The Princess Bride) it was an instant commercial and critical success. It would garner eight Academy Award nominations and four awards including Best Screenplay for Goldman and Best Supporting Actor for Jason Robards. It currently holds a fresh rating of 93% on the Tomatometer.

Fletch (1985) Los Angeles Times reporter and master of disguise Irwin Fletcher (Chevy Chase in what he would call his favorite roll) is posing as a junkie while researching an expose on drug trafficking. A millionaire approaches him and claiming to be terminally ill hires Fletch to kill him. When further investigation reveals the millionaire to be in perfect health, Fletch realizes he’s on to a potentially much bigger story. To get at it, will take all his considerable wits. The movie was a critical and commercial hit spawning a sequel and has gone on to garner a cult following as well.

The Paper (1994) Ron Howard (Apollo 13, A Beautiful Mind) directed this American comedy-drama taking place over 24 hectic hours in the life of Henry Hackett (Michael Keaton) Metro editor for the New York Sun, a fictional tabloid. The Sun is experiencing cash flow problems and is making drastic cuts. Meanwhile Henry’s wife, Martha (Marisa Tomei), is expecting their first child and aggravated with his workaholism. She wants him to take a job at the New York Sentinel (a thinly disguised version of the New York Times). Meanwhile a sensational double homicide of two white businessman and subsequent arrest of two African American teenagers has Harry’s news sense tingling. The all star cast also includes Robert Duvall, Glenn Close, Randy Quaid, and Jason Robards (again!). It currently holds an 88% fresh rating at Rotten Tomatoes with critics praising the film for capturing the frenetic high energy environment of actual newsrooms.

State of Play (2009) This taut political thriller was an adaption of a six-part BBC series by the same name. Russell Crowe turns in a pitch perfect performance as investigative reporter Cal McAffrey who probes the suspicious death of Congressman Stephen Collins’ (Ben Affleck) mistress. Matters are further complicated by the fact that McAffrey and Collins were once old friends and that Cal had an affair with Stephen’s wife Anne (Robin Wright). Cal convinces his wary, long suffering editor Cameron (the always fabulous Helen Mirren) to let him dig deeper into the matter with the help of young reporter and blogger Della (Rachel McAdams at her most charming). Needless to say twists and turns abound in an intricate plot of layered conspiracy. State of Play garnered generally favorable reviews and Crowe won the Best Actor award from the Australia Film Institute.

Spotlight (2015) This searing biographical crime drama follows how The Boston Globe’s ‘Spotlight’ team uncovered a pattern of widespread systemic sexual abuse by priests in the Boston area, that kicked off an international scandal. Starring Michael Keaton (again!), Mark Ruffalo, Rachel McAdams (again!), Stanley Tucci, and Liev Schreiber it’s an instant masterpiece demonstrating how a culture of complicity and silence enabled generations of abuse. It was nominated for six Academy Awards and won Best Original Screenplay and Best Picture. (Read our earlier review.)

Top photo: Bigstock

Doctor Strange – Marvel Movies Go Groovy

11/07/2016

You think you know how the world works.  You think this material universe is all there is. What if I told you the reality you know is one of many?

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Benedict Cumberbatch

The Dr. Strange comics could only have come out in the 60’s. They unabashedly combined New Age style mysticism with Steve Ditko’s psychedelic artwork conveying surrealistic worlds that seemed to come from the mind of Salvador Dali.  Which is why it’s only right and proper that Dr. Strange, directed by Scott Derrickson (Sinister, The Exorcism of Emily Rose) the latest Marvel movie be the trippiest, dippiest, most visually stunning film to date in their lexicon. Much has been made of the way buildings falling into themselves mimics the look of Inception, but we’re also treated to parallel universes whose look and feel is straight out of the old Ditko comics. The effects folks on Doctor Strange should clean up at the Oscars this year, and this is the rare movie that really does justify the cost of seeing it in IMAX 3D.

The plotline itself is a little skimpy with Dr. Strange (Benedict Cumberbatch of Sherlock and The Imitation Game) a brilliant but arrogant neurosurgeon whose hands are ruined in an accident.  After Western medicine fails him, he spends his last penny on a ticket to Nepal to seek a cure at an ancient temple where he becomes an expert in the mystical arts.  A cocky jerk getting taken down a few pegs only to rise to heroism in the third act is a song Marvel’s played for us many times before.

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Tilda Swinton and Benedict Cumberbatch

Still even if it’s familiar ground in terms of character arcs, Strange’s training sequence at Kamar-Taj is a lot of fun. While playing an insufferable genius is second nature to Cumberbatch at this point, he shows an unexpected penchant for physical humor especially when he grapples with the cloak of power. Benedict Wong of Prometheus and The Martian is great as Wong the Temple’s stern-faced, badass librarian.  Casting Tilda Swinton, a white woman, as The Ancient One, a character of Asian persuasion in the comics, was controversial, but there’s no doubt she brings a lot of energy and nuance to her scenes. And Rachel McAdams is quite charming and empathetic as Strange’s ex-lover Cristine whom he pushes away. Sadly there isn’t enough of her, just as you wish Mads Mikkleson as the main baddie had more to do than look suitably menacing while delivering speeches. (Though he does in fact look very menacing and his delivery is great.)

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Chiwetel Ejiofor

But the real standout of the cast may be Chiwetel Ejiofor (Dirty Pretty Things, 12 Years a Slave) as Mordo a militant fellow sorcerer and pupil to Strange.

Warning!  May contain spoilers from here on out.

Mordo is a man of incredible strength and principle but also deeply rigid. Watching his ideals and beliefs conflict with sometimes morally murky and always messy reality is in some ways the real character arc of the film. One which leaves tantalizing possibilities for the future. Marvel movies may finally get another interesting villain besides Loki. And in fact Dr. Strange may soon be meeting Loki.

Photos courtesy of Marvel/Disney